wanderings on paper, nz

allowing myself these meanderings has meant a new body of works that i wouldn’t have expected. but without any pressure from galleries, etc, i am free to play. at  times i wonder if there’s any kind of rhyme or reason to it all but then i put on my headphones and get back at it…staying curious and as open as possible – always asking myself if freedom is the point, then how really free am I?

in process drawing with collage

detail of wall drawing

Monday, February 1st, 2010 Uncategorized

5 Comments to wanderings on paper, nz

  1. I love these Amy. So organic, but loose and flowing. Also having a great time following you around the world on your journey.
    robin

    2. Robin g on February 3rd, 2010

  2. I am reminded of Jim Dine’s drawings/paintings of flowers when I look at this piece Amy.

    I think playing is the secret.

    3. Janice Mason Steeves on February 3rd, 2010

  3. i’ve discovered i love drawing again!
    thanks for your comments ~

    4. amygclay on February 4th, 2010

  4. I love these images, Amy. They feel fresh and experimental and responsive to the new vernacular. Keep it up!

    5. anette on February 8th, 2010

  5. thanks anette – always good to hear what people respond to ~
    great seeing you in LA.

    6. amygclay on February 9th, 2010

Leave a comment

Untitled Document

the project:
to live and work in various artist residencies around the world for at least one year, exploring differing cultures, landscapes and resources.

the proposal:
how does "place" impact the creative process? by living and working in a variety of cultures, and using mostly local materials and imagery, i look to capture the essence of the environment in the artwork that i do.

the hero's journey:
my long held interest in the archetype of the hero's journey, as explored by joseph campbell, in the context of the creative process, is the overarching structure of this project. considering each stage of the sacred journey, or pilgrimage, gives me courage and insight while continually pushing off from the shore into the unknown, both physically and creatively.